10AM
Robert Bloomfield talks to
Cory Ondrejka, who recently stepped down as CTO of Linden Lab, and
W. James Au, author of “
The Making of Second Life.”
8AM
GeoSimPhilly

credit: geosimphilly.com Found via: Digado
“The terabytes of imaging data are being used to build a 3D model of central Philadelphia, down to the last cornice, mailbox and shrub.”
- A. Eisenberg,
The New York Times
http://www.geosimphilly.com/index.aspx
April132008
The "Other" Grid
Many Second Life’s users think of “The Grid” to mean interconnected virtual world servers, especially Linden Lab’s grid, this term cannot be trademarked by Linden Lab. Not only has the term been in use to describe the electrical grid and the Internet itself. and then Grid computing (The OpenGrid Forum), there is now from CERN, originators of the Internet their own Grid.
All these Grids have one issue, “The last mile” The Internet service providers, tel-cos, and cable giants with their antiquated equipment and expensive pricing models.
Again this shows that the technology is here now to solve another piece of the LAG and all the client side rendering issues. It is businesses, the economy, the market, and those large companies & industries that hold back change not technology.
CERN Develops Possible Internet Replacement, Unfathomably Faster
source: www.dailytech.com
“Internet up to 10,000 times faster deployed, may see consumer use within a year or two
CERN, the Geneva-based particle physics center which spawned the world wide web in 1989, is looking to create the next internet, and has already laid down the essential ground work for it. Experts say it is sorely needed. Recent industry analysis, such as DailyTech’s recent piece “American Broadband: Pathetic and Disgraceful,” has revealed that most customer languish under poor data rates and high costs.
The new internet from CERN could change all that. The proposed system averages speeds of up to 10,000 times the typical broadband connection today. The new internet is known as “the grid” and could send the entire Rolling Stones catalog from Britain to Japan in two seconds, a scenario akin to the RIAA’s worst nightmare…..”
2PM
Can you Patent a Spatial Concept?


Patent 


PILE UP® was registered for patenting throughout Europe and in the USA in 2003. The preliminary checks have been carried out. The patent covers the spatial concept with the high-ceilinged living and outer area, and the flexible floor plan structure on a single level - this is not a maisonette model. The patent applies for the construction of PILE UP® in all of its possible construction models.
remixed from http://www.zapco.ch
Copyright
Trademark: PILE UP® is a registered trademark in Switzerland, the EU and other countries.
Design protection / Patent:
PILE UP® is registered as a design on the basis of design laws in Switzerland, the EU, the USA and other countries the subject matter of patents applied.
Licences:
A licence-agreement is an option.
All rights owned by Hans Zwimpfer 2002
Reproduction only with explicit permission
The above is posted based on Fair Use, as a social protest. commentary and to provoke intellectual discussion as per sections 107 through 118 of the Copyright Act (title 17, U. S. Code).
Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered “fair,” such as criticism, comment, news reporting, teaching, scholarship, and research. Section 107 also sets out four factors to be considered in determining whether or not a particular use is fair:
the purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes;
the nature of the copyrighted work;
amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
- the effect of the use upon the potential market for or value of the copyrighted work.
2PM
Sounds like SL to Me
reblogged from: anarchitecture
Maybe no other professional sector is questioning its own legitimacy as frequently as architecture. Definitely, architects lose ground in today’s issues such as globalization, digitalization, ecology, consumerism and more. “The architect as a social engineer, as an organizer of social relationships, as the one who inspires political decisions as a professional power player in the game of spatial distribution appears to be a remarkable intermediate phase in architecture’s century long development.” (Volume #14, p.3, Arjen Oosterman)

Currently, architect’s creation is limited to designing esthetic spatial configurations. The project’s agenda, however, is already defined by the client: the program, the site, height restrictions, the budget, gross / net surface, energy values, etc.
Volume #14 – an architectural magazine by Archis + AMO + C-LAB + MIT … -presents the UNSOLICITED practice – an attempt to permit architects to reclaim their professional autonomy. How can architects switch from competent but powerless executors of assignments into entrepreneurs?

The magazine central part presents the Office for Unsolicited Architecture (OUA) founded by Ole Bouman and students of MIT. So what is “Unsolicited Architecture”? Think about architecture liberated from building:
- Find a new territory.
- Avoid clients, a site, a budget and a program.
- Design the architectural object, the marketing plan, the financing plan.
- Reflect.
- Action.
Is this approach an appropriate alternative to design competitions? According to Architect Matthijs Bouw there are three types of architectural practice: architects who have a characteristic handwriting and are hired for it (the signature practices), extra-large firms which can offer a large variety of services and finally the “new” design consultancy. “This architectural practices enlarges its field of play by intervening in the building process at a different moment, namely during the formation of the first idea and the formulation of a scenario or assignments.” (Volume #14, Matthijs Bouw, p.10)
Although, Volume #14 features the portfolio of Unsolicited Architecture and a rich collection of examples (p.41-106), their implementation seems difficult. Do Unsolicited architects work out projects in advance? When there is no client - who will buy the designs? Maybe, the entrepreneurial architect has to be a risk-taker.